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Admin07.07.2021

Edwige Feuillère

" Edwige Caroline Cunati, actress: born Vesoul, France 29 October 1907; married 1929 Pierre Feuillere died 1945; marriage dissolved ; died Paris 14 November 1998.
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Admin21.09.2021

Photos at Théâtre Edwige Feuillère

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Admin27.08.2021

Cher Menteur (Dear Liar)

Back in Paris, she separated from her husband, whose suicide games were becoming too realistic for her: she saw him only once again, after the war, when he came to say goodbye before leaving with an American unit for Japan.
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Admin04.08.2021

Obituary: Edwige Feuillere

At the Dijon Conservatoire she studied diction, interpretation of character and singing, and easily passed the entrance exam for the Paris Conservatoire in 1928.
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Admin07.09.2021

Obituary: Edwige Feuillere

When she arrived in Paris in 1928 to study at the Conservatoire she was lonely, homesick, short of money and had no friends; she lived in a strictly- run home for young Catholic girls.
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Admin24.08.2021

Cher Menteur (Dear Liar)

She died on November 13, 1998.
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Admin15.09.2021

Edwige Feuillère: Age, Wiki, Trivia, and Biography

In 1948, Laurence Olivier and Vivien Leigh saw Jean-Louis Barrault's production of Partage de midi and invited it to London.
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Admin09.08.2021

Cher Menteur (Dear Liar)

She is one of the popular actresses in the world of cinema.
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Admin06.09.2021

Obituary: Edwige Feuillere

Her most famous role was as the definitive Marguerite Gautier in La Dame aux camelias, which she first performed in 1939 and revived periodically throughout her career, in London in 1955.
27010
Admin07.07.2021

Edwige Feuillère: Age, Wiki, Trivia, and Biography

You must provide in the accompanying your translation by providing an to the source of your translation.
807
Admin17.09.2021

Photos at Théâtre Edwige Feuillère

Partage de midi had for years been admired for its dramatic poetry and the intense conflict of its hero, a failed priest, torn between profane and sacred love, but it was considered unperformable.
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Admin21.08.2021

Edwige Feuillère: Age, Wiki, Trivia, and Biography

Her performance in Giraudoux's La Folle de Chaillot, which she revived many times and brought to London, showed her as a mad old lady where her voice took on a different vibrancy and coarseness and her presence was meant to repel, not attract.